Is Barbie Girl an inappropriate song?
It gets very sexual, very quick. Especially when the song speaks about touching and ‘playing’. Kiss me here, touch me there, hanky panky… You can touch, you can play, if you say, “I’m always yours.”
When was I’m a Barbie Girl made?
1997
“I’m a Barbie girl, in a Barbie world”[1] … I’d heard that line before. The line comes from the Danish dance-pop group Aqua’s 1997 song ‘Barbie Girl. ‘ Though the song was voted the worst song of the 1990s by Rolling Stone magazine’s Readers Poll in 2011, the catchy tune is one I’m sure almost everyone knows.
How old is Aquaband?
The group formed in 1989 and achieved crossover success around the globe in the late 1990s and early 2000s. The group released three albums: Aquarium in 1997, Aquarius in 2000 and Megalomania in 2011.
Who wrote Barbie Girl by Aqua?
on YouTube. “Barbie Girl” is a song by the Danish-Norwegian dance-pop group Aqua. It was released in May 1997 as the third single from the group’s debut studio album, Aquarium (1997). The song was written by Søren Rasted, Claus Norreen, René Dif, and Lene Nystrøm, and was produced by Johnny Jam, Delgado, Rasted, and Norreen.
What is the history of the song Barbie?
It was released in April 1997 as the third single from the group’s debut studio album, Aquarium (1997). The song was written by Søren Rasted, Claus Norreen, René Dif, and Lene Nystrøm, and was produced by Johnny Jam, Delgado, Rasted, and Norreen. It was written after Rasted saw an exhibit on kitsch culture in Denmark that featured Barbie dolls.
Who is the director of Barbie Girl music video?
The music video for “Barbie Girl” was recorded on 17 and 18 August 2005. It was directed by Ricardo Vereza, Bidu Madio, Rentz and Mauricio Eça. In the video, released on 30 August, Kelly plays a determined and feminist woman.
What key is the song Barbie Girl in?
“Barbie Girl” is written in the key of C-sharp minor. “Barbie Girl” received critical acclaim. Stephen Thomas Erlewine from AllMusic called the song “one of those inexplicable pop culture phenomena” and “insanely catchy”, describing it as a “bouncy, slightly warped Euro-dance song that simultaneously sends up femininity and Barbie dolls.”